352 lines
33 KiB
Plaintext
352 lines
33 KiB
Plaintext
What is Modal Interchange
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Modal interchange also called borrowed chords modal mixture or mixed
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modes is a compositional device in which composers add unexpected
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harmonic colors by borrowing chords from a parallel mode The most common
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application is the appearance of chords from the parallel minor in the
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context of a major key Because C Ionian and C Aeolian share the same
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tonic their sonorities can be interchanged quite naturally a composer
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can use chords from C minor in the context of C major without preparation
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or awkwardness More advanced examples draw on other parallel modes beyond
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just the natural minor The result is a significantly expanded harmonic
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palette that moves well beyond the familiar and limited sound of purely
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diatonic chords.
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The most frequently used borrowed chords in a major key come from the
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parallel natural minor or Aeolian mode In C major these are the minor
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IV chord F minor the major bVI chord Ab major and the major bVII
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chord Bb major Additional borrowed chords available in C major include
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the minor I chord Cm the major bIII chord Eb the minor V chord Gm
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the halfdiminished II chord D7 and the fully diminished VII chord
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B7 In practice several borrowed chords from the parallel minor
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function exactly like their diatonic counterparts IV can be replaced
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with IVm IIm7 with II7 V with Vm VIm with bVI and VII7 with VII7
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without any other adaptation or preparation creating striking new colors
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within otherwise familiar progressions.
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Blood Sweat and Tears formed in New York City in 1967 with the goal of
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combining jazz sophistication with rock energy Their selftitled second
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album featuring the hit single Spinning Wheel won the Grammy Award for
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Album of the Year The excerpt in C major features a stepwise descent
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from tonic to dominant through borrowed chords from the parallel minor
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moving I to bVII to bVI to V This descending progression through bVII
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and bVI borrowed from C Aeolian creates a cinematic dramatic momentum
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that diatonic harmony alone cannot achieve with each chord pulling
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downward toward the dominant resolution.
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The Days of Wine and Roses written by Henry Mancini with lyrics by
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Johnny Mercer appeared in the 1962 film of the same title earning an
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Academy Award for Best Original Song and Grammy Awards for Record of the
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Year and Song of the Year The Ray Brown Trio recording in F major
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contains borrowed chords IVm6 and bVII7 in measures seven and eight
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drawn from the parallel minor The Eb711 in measure two may appear
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to be a borrowed chord but is better understood as a tritone substitution
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resolving to D7 in measure four The movement from IVm7 to bVII9 to I
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is a common jazz progression known as the backdoor iiV or simply the
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backdoor progression a particularly smooth and sophisticated application
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of modal interchange that resolves to the tonic from an unexpected
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harmonic direction.
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The Jackson 5 recorded Never Can Say Goodbye in 1970 with lead vocals
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by an elevenyearold Michael Jackson Written by Clifton Davis the
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song reached number two on the Billboard Hot 100 and number one on the
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Billboard RB Charts The excerpt in D major represents a more advanced
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application of modal interchange drawing on chords from D Dorian
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D Lydian and D Phrygian before resolving back to D Ionian This
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movement across three parallel modes within a single progression
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demonstrates that modal interchange is not limited to borrowing from
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the parallel minor alone but can draw on the full spectrum of parallel
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modes for harmonic color.
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For beginners approaching modal interchange the simplest entry point
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is identifying which melody notes have the greatest compatibility with
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borrowed chords In C major the note C appears naturally in all
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parallel modes providing the greatest number of borrowed chord options
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when C is the melody note The notes F and G are also common to most
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parallel modes of C making them strong candidates for reharmonization
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with borrowed chords By contrast the note B is only found in C Lydian
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and C Ionian severely limiting borrowed chord options when B is the
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melody note A useful technique is sidestepping or parallel chords
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where a borrowed chord resolves with each voice moving down a half step
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in parallel chromatic motion as when AbGb precedes GF with all notes
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descending a half step The backdoor progression IVm7 to bVII9 to I
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is a particularly common and smooth jazz application of modal
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interchange drawn from the parallel Aeolian mode.
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Modal interchange is valuable beyond songwriting and composition For
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gigging musicians in cover bands familiarity with the sound of common
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borrowed chords enables faster learning of songs by ear recognizing
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that an unexpected chord is a borrowed bVI or bVII rather than a
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modulation resolves harmonic confusion immediately Jazz musicians use
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modal interchange alongside other reharmonization techniques to
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personalize their repertoire of jazz standards replacing diatonic
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chords with borrowed alternatives to create fresh harmonic colors within
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familiar melodic contexts The skill of hearing modal interchange in
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real music rather than only understanding it theoretically develops
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through deliberate listening to the examples above and actively
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identifying borrowed chords in recordings.
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Modal interchange is the practice of borrowing chords from parallel
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modes to expand harmonic color beyond diatonic limitations The most
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common borrowed chords in major keys are IVm bVI and bVII from the
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parallel natural minor which can replace their diatonic counterparts
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without preparation More advanced applications draw on Dorian Lydian
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Phrygian and Locrian parallel modes for additional colors The backdoor
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progression IVm7 to bVII9 to I is a particularly smooth jazz
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application Modal interchange appears across genres from classic rock
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Blood Sweat and Tears jazz Days of Wine and Roses and soul Never
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Can Say Goodbye demonstrating its universal harmonic value For
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songwriters it expands the chord palette significantly for performers
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it accelerates learning by ear for jazz musicians it enables
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personalized reharmonization of standards.
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Model Interchange as Color
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The Spectrum of Harmonic Light and Shadow
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Think of these parallel borrowings not just as chord swaps but as adjusting the lighting on a stage You are starting in the Neutral Daylight of the Major key and using these modes to shift the atmosphere
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1 The Lydian Golden Hour The Brightest Lift.
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The Substitution II7 for IImin7 eg D7 in C Major
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Lydian is the brightest of all traditional modes When you borrow that Major II chord you are injecting a sense of wonder and upward momentum Its the sound of a movie protagonist seeing the ocean for the first time It feels ethereal optimistic and slightly outside
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2 The Mixolydian Bluesy Sunset Relaxed Soulful.
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The Substitution VIImaj7 for VIImin75 eg Bbmaj7 in C Major
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Mixolydian softens the leading tone of the key By using the VII you remove the tension of the B diminished chord and replace it with a relaxed grooving stability This is the bedrock of classic rock and jam musicit feels grounded expansive and effortlessly cool
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3 The Dorian Moonlight Sophisticated Mystery.
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The Substitution IV7 for IVmaj7 eg F7 in C Major
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Dorian is the bridge between light and dark Borrowing the IV7 the Oye Como Va chord adds a soulful jazzy grit It doesnt feel sad like a minor key but it doesnt feel naive like a major key Its the sound of an urban nightsophisticated rhythmic and slightly mysterious
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4 The Aeolian Storm Clouds Epic Drama.
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The Substitution VImaj7 or IIImaj7 eg Abmaj7 or Ebmaj7 in C Major
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Now we are moving into the True Minor territory These chords provide the massive cinematic weight found in power ballads and hard rock The VI Abmaj7 in particular feels like a sudden shift in the windits dramatic heavy and carries a sense of gravity and grand scale
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5 The Phrygian Eclipse The Darkest Depth.
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The Substitution IImaj7 for IImin7 eg Dbmaj7 for Dmin7
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This is the most extreme shift The II is exotic tense and almost uncomfortably dark It creates a sense of immediate danger or ancient mystery When you hear this in a song like Becks Bolero its the moment the sun disappears behind the clouds and the atmosphere becomes thick and heavy.
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From Parallel Dorian In the key of C major you can substitute or borrow Imin7 for Imaj7 for example Cmin7 for Cmaj7.
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From Parallel Dorian In the key of C major you can substitute or borrow IV7 for IVmaj7 for example F7 for Fmaj7.
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From Parallel Phrygian In the key of C major you can substitute or borrow bIImaj7 for IImin7 for example Dbmaj7 for Dmin7.
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From Parallel Phrygian In the key of C major you can substitute or borrow bVIImin7 for VIImin7b5 for example Bbmin7 for Bmin7b5.
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From Parallel Lydian In the key of C major you can substitute or borrow II7 for IImin7 for example D7 for Dmin7.
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From Parallel Mixolydian In the key of C major you can substitute or borrow Vmin7 for V7 for example Gmin7 for G7.
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From Parallel Mixolydian In the key of C major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Bbmaj7 for Bmin7b5.
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From Parallel Aeolian In the key of C major you can substitute or borrow Imin7 for Imaj7 for example Cmin7 for Cmaj7.
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From Parallel Aeolian In the key of C major you can substitute or borrow IImin7b5 for IImin7 for example Dmin7b5 for Dmin7.
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From Parallel Aeolian In the key of C major you can substitute or borrow bIIImaj7 for IIImin7 for example Ebmaj7 for Emin7.
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From Parallel Aeolian In the key of C major you can substitute or borrow IVmin7 for IVmaj7 for example Fmin7 for Fmaj7.
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From Parallel Aeolian In the key of C major you can substitute or borrow Vmin7 for V7 for example Gmin7 for G7.
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From Parallel Aeolian In the key of C major you can substitute or borrow bVImaj7 for VImin7 for example Abmaj7 for Amin7.
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From Parallel Aeolian In the key of C major you can substitute or borrow bVII7 for VIImin7b5 for example Bb7 for Bmin7b5.
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From Parallel Dorian In the key of C major you can substitute or borrow Imin7 for Imaj7 for example Cmin7 for Cmaj7.
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From Parallel Dorian In the key of C major you can substitute or borrow IV7 for IVmaj7 for example F7 for Fmaj7.
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From Parallel Phrygian In the key of C major you can substitute or borrow bIImaj7 for IImin7 for example Dmaj7 for Dmin7.
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From Parallel Phrygian In the key of C major you can substitute or borrow bVIImin7 for VIImin7b5 for example Bmin7 for Bmin7b5.
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From Parallel Lydian In the key of C major you can substitute or borrow II7 for IImin7 for example D7 for Dmin7.
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From Parallel Mixolydian In the key of C major you can substitute or borrow Vmin7 for V7 for example Gmin7 for G7.
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From Parallel Mixolydian In the key of C major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Bmaj7 for Bmin7b5.
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From Parallel Aeolian In the key of C major you can substitute or borrow Imin7 for Imaj7 for example Cmin7 for Cmaj7.
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From Parallel Aeolian In the key of C major you can substitute or borrow IImin7b5 for IImin7 for example Dmin7b5 for Dmin7.
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From Parallel Aeolian In the key of C major you can substitute or borrow bIIImaj7 for IIImin7 for example Emaj7 for Emin7.
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From Parallel Aeolian In the key of C major you can substitute or borrow IVmin7 for IVmaj7 for example Fmin7 for Fmaj7.
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From Parallel Aeolian In the key of C major you can substitute or borrow Vmin7 for V7 for example Gmin7 for G7.
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From Parallel Aeolian In the key of C major you can substitute or borrow bVImaj7 for VImin7 for example Amaj7 for Amin7.
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From Parallel Aeolian In the key of C major you can substitute or borrow bVII7 for VIImin7b5 for example B7 for Bmin7b5.
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From Parallel Dorian In the key of Db major you can substitute or borrow Imin7 for Imaj7 for example Dbmin7 for Dbmaj7.
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From Parallel Dorian In the key of Db major you can substitute or borrow IV7 for IVmaj7 for example Gb7 for Gbmaj7.
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From Parallel Phrygian In the key of Db major you can substitute or borrow bIImaj7 for IImin7 for example Ebbmaj7 for Ebmin7.
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From Parallel Phrygian In the key of Db major you can substitute or borrow bVIImin7 for VIImin7b5 for example Cbmin7 for Cmin7b5.
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From Parallel Lydian In the key of Db major you can substitute or borrow II7 for IImin7 for example Eb7 for Ebmin7.
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From Parallel Mixolydian In the key of Db major you can substitute or borrow Vmin7 for V7 for example Abmin7 for Ab7.
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From Parallel Mixolydian In the key of Db major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Cbmaj7 for Cmin7b5.
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From Parallel Aeolian In the key of Db major you can substitute or borrow Imin7 for Imaj7 for example Dbmin7 for Dbmaj7.
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From Parallel Aeolian In the key of Db major you can substitute or borrow IImin7b5 for IImin7 for example Ebmin7b5 for Ebmin7.
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From Parallel Aeolian In the key of Db major you can substitute or borrow bIIImaj7 for IIImin7 for example Fbmaj7 for Fmin7.
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From Parallel Aeolian In the key of Db major you can substitute or borrow IVmin7 for IVmaj7 for example Gbmin7 for Gbmaj7.
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From Parallel Aeolian In the key of Db major you can substitute or borrow Vmin7 for V7 for example Abmin7 for Ab7.
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From Parallel Aeolian In the key of Db major you can substitute or borrow bVImaj7 for VImin7 for example Bbbmaj7 for Bbmin7.
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From Parallel Aeolian In the key of Db major you can substitute or borrow bVII7 for VIImin7b5 for example Cb7 for Cmin7b5.
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From Parallel Dorian In the key of D major you can substitute or borrow Imin7 for Imaj7 for example Dmin7 for Dmaj7.
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From Parallel Dorian In the key of D major you can substitute or borrow IV7 for IVmaj7 for example G7 for Gmaj7.
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From Parallel Phrygian In the key of D major you can substitute or borrow bIImaj7 for IImin7 for example Ebmaj7 for Emin7.
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From Parallel Phrygian In the key of D major you can substitute or borrow bVIImin7 for VIImin7b5 for example Cmin7 for Cmin7b5.
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From Parallel Lydian In the key of D major you can substitute or borrow II7 for IImin7 for example E7 for Emin7.
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From Parallel Mixolydian In the key of D major you can substitute or borrow Vmin7 for V7 for example Amin7 for A7.
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From Parallel Mixolydian In the key of D major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Cmaj7 for Cmin7b5.
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From Parallel Aeolian In the key of D major you can substitute or borrow Imin7 for Imaj7 for example Dmin7 for Dmaj7.
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From Parallel Aeolian In the key of D major you can substitute or borrow IImin7b5 for IImin7 for example Emin7b5 for Emin7.
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From Parallel Aeolian In the key of D major you can substitute or borrow bIIImaj7 for IIImin7 for example Fmaj7 for Fmin7.
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From Parallel Aeolian In the key of D major you can substitute or borrow IVmin7 for IVmaj7 for example Gmin7 for Gmaj7.
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From Parallel Aeolian In the key of D major you can substitute or borrow Vmin7 for V7 for example Amin7 for A7.
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From Parallel Aeolian In the key of D major you can substitute or borrow bVImaj7 for VImin7 for example Bbmaj7 for Bmin7.
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From Parallel Aeolian In the key of D major you can substitute or borrow bVII7 for VIImin7b5 for example C7 for Cmin7b5.
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From Parallel Dorian In the key of D major you can substitute or borrow Imin7 for Imaj7 for example Dmin7 for Dmaj7.
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From Parallel Dorian In the key of D major you can substitute or borrow IV7 for IVmaj7 for example G7 for Gmaj7.
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From Parallel Phrygian In the key of D major you can substitute or borrow bIImaj7 for IImin7 for example Emaj7 for Emin7.
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From Parallel Phrygian In the key of D major you can substitute or borrow bVIImin7 for VIImin7b5 for example Cmin7 for Cmin7b5.
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From Parallel Lydian In the key of D major you can substitute or borrow II7 for IImin7 for example E7 for Emin7.
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From Parallel Mixolydian In the key of D major you can substitute or borrow Vmin7 for V7 for example Amin7 for A7.
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From Parallel Mixolydian In the key of D major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Cmaj7 for Cmin7b5.
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From Parallel Aeolian In the key of D major you can substitute or borrow Imin7 for Imaj7 for example Dmin7 for Dmaj7.
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From Parallel Aeolian In the key of D major you can substitute or borrow IImin7b5 for IImin7 for example Emin7b5 for Emin7.
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From Parallel Aeolian In the key of D major you can substitute or borrow bIIImaj7 for IIImin7 for example Fmaj7 for Fmin7.
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From Parallel Aeolian In the key of D major you can substitute or borrow IVmin7 for IVmaj7 for example Gmin7 for Gmaj7.
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From Parallel Aeolian In the key of D major you can substitute or borrow Vmin7 for V7 for example Amin7 for A7.
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From Parallel Aeolian In the key of D major you can substitute or borrow bVImaj7 for VImin7 for example Bmaj7 for Bmin7.
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From Parallel Aeolian In the key of D major you can substitute or borrow bVII7 for VIImin7b5 for example C7 for Cmin7b5.
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From Parallel Dorian In the key of Eb major you can substitute or borrow Imin7 for Imaj7 for example Ebmin7 for Ebmaj7.
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From Parallel Dorian In the key of Eb major you can substitute or borrow IV7 for IVmaj7 for example Ab7 for Abmaj7.
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From Parallel Phrygian In the key of Eb major you can substitute or borrow bIImaj7 for IImin7 for example Fbmaj7 for Fmin7.
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From Parallel Phrygian In the key of Eb major you can substitute or borrow bVIImin7 for VIImin7b5 for example Dbmin7 for Dmin7b5.
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From Parallel Lydian In the key of Eb major you can substitute or borrow II7 for IImin7 for example F7 for Fmin7.
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From Parallel Mixolydian In the key of Eb major you can substitute or borrow Vmin7 for V7 for example Bbmin7 for Bb7.
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From Parallel Mixolydian In the key of Eb major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Dbmaj7 for Dmin7b5.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow Imin7 for Imaj7 for example Ebmin7 for Ebmaj7.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow IImin7b5 for IImin7 for example Fmin7b5 for Fmin7.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow bIIImaj7 for IIImin7 for example Gbmaj7 for Gmin7.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow IVmin7 for IVmaj7 for example Abmin7 for Abmaj7.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow Vmin7 for V7 for example Bbmin7 for Bb7.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow bVImaj7 for VImin7 for example Cbmaj7 for Cmin7.
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From Parallel Aeolian In the key of Eb major you can substitute or borrow bVII7 for VIImin7b5 for example Db7 for Dmin7b5.
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From Parallel Dorian In the key of E major you can substitute or borrow Imin7 for Imaj7 for example Emin7 for Emaj7.
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From Parallel Dorian In the key of E major you can substitute or borrow IV7 for IVmaj7 for example A7 for Amaj7.
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From Parallel Phrygian In the key of E major you can substitute or borrow bIImaj7 for IImin7 for example Fmaj7 for Fmin7.
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From Parallel Phrygian In the key of E major you can substitute or borrow bVIImin7 for VIImin7b5 for example Dmin7 for Dmin7b5.
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From Parallel Lydian In the key of E major you can substitute or borrow II7 for IImin7 for example F7 for Fmin7.
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From Parallel Mixolydian In the key of E major you can substitute or borrow Vmin7 for V7 for example Bmin7 for B7.
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From Parallel Mixolydian In the key of E major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Dmaj7 for Dmin7b5.
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From Parallel Aeolian In the key of E major you can substitute or borrow Imin7 for Imaj7 for example Emin7 for Emaj7.
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From Parallel Aeolian In the key of E major you can substitute or borrow IImin7b5 for IImin7 for example Fmin7b5 for Fmin7.
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From Parallel Aeolian In the key of E major you can substitute or borrow bIIImaj7 for IIImin7 for example Gmaj7 for Gmin7.
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From Parallel Aeolian In the key of E major you can substitute or borrow IVmin7 for IVmaj7 for example Amin7 for Amaj7.
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From Parallel Aeolian In the key of E major you can substitute or borrow Vmin7 for V7 for example Bmin7 for B7.
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From Parallel Aeolian In the key of E major you can substitute or borrow bVImaj7 for VImin7 for example Cmaj7 for Cmin7.
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From Parallel Aeolian In the key of E major you can substitute or borrow bVII7 for VIImin7b5 for example D7 for Dmin7b5.
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From Parallel Dorian In the key of F major you can substitute or borrow Imin7 for Imaj7 for example Fmin7 for Fmaj7.
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From Parallel Dorian In the key of F major you can substitute or borrow IV7 for IVmaj7 for example Bb7 for Bbmaj7.
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From Parallel Phrygian In the key of F major you can substitute or borrow bIImaj7 for IImin7 for example Gbmaj7 for Gmin7.
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From Parallel Phrygian In the key of F major you can substitute or borrow bVIImin7 for VIImin7b5 for example Ebmin7 for Emin7b5.
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From Parallel Lydian In the key of F major you can substitute or borrow II7 for IImin7 for example G7 for Gmin7.
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From Parallel Mixolydian In the key of F major you can substitute or borrow Vmin7 for V7 for example Cmin7 for C7.
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From Parallel Mixolydian In the key of F major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Ebmaj7 for Emin7b5.
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From Parallel Aeolian In the key of F major you can substitute or borrow Imin7 for Imaj7 for example Fmin7 for Fmaj7.
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From Parallel Aeolian In the key of F major you can substitute or borrow IImin7b5 for IImin7 for example Gmin7b5 for Gmin7.
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From Parallel Aeolian In the key of F major you can substitute or borrow bIIImaj7 for IIImin7 for example Abmaj7 for Amin7.
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From Parallel Aeolian In the key of F major you can substitute or borrow IVmin7 for IVmaj7 for example Bbmin7 for Bbmaj7.
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From Parallel Aeolian In the key of F major you can substitute or borrow Vmin7 for V7 for example Cmin7 for C7.
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From Parallel Aeolian In the key of F major you can substitute or borrow bVImaj7 for VImin7 for example Dbmaj7 for Dmin7.
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From Parallel Aeolian In the key of F major you can substitute or borrow bVII7 for VIImin7b5 for example Eb7 for Emin7b5.
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From Parallel Dorian In the key of Gb major you can substitute or borrow Imin7 for Imaj7 for example Gbmin7 for Gbmaj7.
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From Parallel Dorian In the key of Gb major you can substitute or borrow IV7 for IVmaj7 for example Cbb7 for Cbmaj7.
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From Parallel Phrygian In the key of Gb major you can substitute or borrow bIImaj7 for IImin7 for example Abbmaj7 for Abmin7.
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From Parallel Phrygian In the key of Gb major you can substitute or borrow bVIImin7 for VIImin7b5 for example Fmin7 for Fmin7b5.
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From Parallel Lydian In the key of Gb major you can substitute or borrow II7 for IImin7 for example Ab7 for Abmin7.
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From Parallel Mixolydian In the key of Gb major you can substitute or borrow Vmin7 for V7 for example Dbmin7 for Db7.
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From Parallel Mixolydian In the key of Gb major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Fbmaj7 for Fmin7b5.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow Imin7 for Imaj7 for example Gbmin7 for Gbmaj7.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow IImin7b5 for IImin7 for example Abmin7b5 for Abmin7.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow bIIImaj7 for IIImin7 for example Bbbmaj7 for Bbmin7.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow IVmin7 for IVmaj7 for example Cbbmin7 for Cbmaj7.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow Vmin7 for V7 for example Dbbmin7 for Db7.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow bVImaj7 for VImin7 for example Ebbbmaj7 for Ebmin7.
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From Parallel Aeolian In the key of Gb major you can substitute or borrow bVII7 for VIImin7b5 for example F7 for Fmin7b5.
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From Parallel Dorian In the key of G major you can substitute or borrow Imin7 for Imaj7 for example Gmin7 for Gmaj7.
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From Parallel Dorian In the key of G major you can substitute or borrow IV7 for IVmaj7 for example C7 for Cmaj7.
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From Parallel Phrygian In the key of G major you can substitute or borrow bIImaj7 for IImin7 for example Abmaj7 for Amin7.
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From Parallel Phrygian In the key of G major you can substitute or borrow bVIImin7 for VIImin7b5 for example Fmin7 for Fmin7b5.
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From Parallel Lydian In the key of G major you can substitute or borrow II7 for IImin7 for example A7 for Amin7.
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From Parallel Mixolydian In the key of G major you can substitute or borrow Vmin7 for V7 for example Dmin7 for D7.
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From Parallel Mixolydian In the key of G major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Fmaj7 for Fmin7b5.
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From Parallel Aeolian In the key of G major you can substitute or borrow Imin7 for Imaj7 for example Gmin7 for Gmaj7.
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From Parallel Aeolian In the key of G major you can substitute or borrow IImin7b5 for IImin7 for example Amin7b5 for Amin7.
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From Parallel Aeolian In the key of G major you can substitute or borrow bIIImaj7 for IIImin7 for example Bbmaj7 for Bmin7.
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From Parallel Aeolian In the key of G major you can substitute or borrow IVmin7 for IVmaj7 for example Cmin7 for Cmaj7.
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From Parallel Aeolian In the key of G major you can substitute or borrow Vmin7 for V7 for example Dmin7 for D7.
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From Parallel Aeolian In the key of G major you can substitute or borrow bVImaj7 for VImin7 for example Ebmaj7 for Emin7.
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From Parallel Aeolian In the key of G major you can substitute or borrow bVII7 for VIImin7b5 for example F7 for Fmin7b5.
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From Parallel Dorian In the key of G major you can substitute or borrow Imin7 for Imaj7 for example Gmin7 for Gmaj7.
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From Parallel Dorian In the key of G major you can substitute or borrow IV7 for IVmaj7 for example C7 for Cmaj7.
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From Parallel Phrygian In the key of G major you can substitute or borrow bIImaj7 for IImin7 for example Amaj7 for Amin7.
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From Parallel Phrygian In the key of G major you can substitute or borrow bVIImin7 for VIImin7b5 for example Fmin7 for Fmin7b5.
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From Parallel Lydian In the key of G major you can substitute or borrow II7 for IImin7 for example A7 for Amin7.
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From Parallel Mixolydian In the key of G major you can substitute or borrow Vmin7 for V7 for example Dmin7 for D7.
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From Parallel Mixolydian In the key of G major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Fmaj7 for Fmin7b5.
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From Parallel Aeolian In the key of G major you can substitute or borrow Imin7 for Imaj7 for example Gmin7 for Gmaj7.
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From Parallel Aeolian In the key of G major you can substitute or borrow IImin7b5 for IImin7 for example Amin7b5 for Amin7.
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From Parallel Aeolian In the key of G major you can substitute or borrow bIIImaj7 for IIImin7 for example Bmaj7 for Bmin7.
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From Parallel Aeolian In the key of G major you can substitute or borrow IVmin7 for IVmaj7 for example Cmin7 for Cmaj7.
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From Parallel Aeolian In the key of G major you can substitute or borrow Vmin7 for V7 for example Dmin7 for D7.
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From Parallel Aeolian In the key of G major you can substitute or borrow bVImaj7 for VImin7 for example Emaj7 for Emin7.
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From Parallel Aeolian In the key of G major you can substitute or borrow bVII7 for VIImin7b5 for example F7 for Fmin7b5.
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From Parallel Dorian In the key of Ab major you can substitute or borrow Imin7 for Imaj7 for example Abmin7 for Abmaj7.
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From Parallel Dorian In the key of Ab major you can substitute or borrow IV7 for IVmaj7 for example Db7 for Dbmaj7.
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From Parallel Phrygian In the key of Ab major you can substitute or borrow bIImaj7 for IImin7 for example Bbbmaj7 for Bbmin7.
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From Parallel Phrygian In the key of Ab major you can substitute or borrow bVIImin7 for VIImin7b5 for example Gmin7 for Gmin7b5.
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From Parallel Lydian In the key of Ab major you can substitute or borrow II7 for IImin7 for example Bb7 for Bbmin7.
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From Parallel Mixolydian In the key of Ab major you can substitute or borrow Vmin7 for V7 for example Ebmin7 for Eb7.
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From Parallel Mixolydian In the key of Ab major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Gbmaj7 for Gmin7b5.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow Imin7 for Imaj7 for example Abmin7 for Abmaj7.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow IImin7b5 for IImin7 for example Bbmin7b5 for Bbmin7.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow bIIImaj7 for IIImin7 for example Cbmaj7 for Cmin7.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow IVmin7 for IVmaj7 for example Dbmin7 for Dbmaj7.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow Vmin7 for V7 for example Ebmin7 for Eb7.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow bVImaj7 for VImin7 for example Fbmaj7 for Fmin7.
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From Parallel Aeolian In the key of Ab major you can substitute or borrow bVII7 for VIImin7b5 for example Gb7 for Gmin7b5.
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From Parallel Dorian In the key of A major you can substitute or borrow Imin7 for Imaj7 for example Amin7 for Amaj7.
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From Parallel Dorian In the key of A major you can substitute or borrow IV7 for IVmaj7 for example D7 for Dmaj7.
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From Parallel Phrygian In the key of A major you can substitute or borrow bIImaj7 for IImin7 for example Bbmaj7 for Bmin7.
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From Parallel Phrygian In the key of A major you can substitute or borrow bVIImin7 for VIImin7b5 for example Gmin7 for Gmin7b5.
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From Parallel Lydian In the key of A major you can substitute or borrow II7 for IImin7 for example B7 for Bmin7.
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From Parallel Mixolydian In the key of A major you can substitute or borrow Vmin7 for V7 for example Emin7 for E7.
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From Parallel Mixolydian In the key of A major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Gmaj7 for Gmin7b5.
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From Parallel Aeolian In the key of A major you can substitute or borrow Imin7 for Imaj7 for example Amin7 for Amaj7.
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From Parallel Aeolian In the key of A major you can substitute or borrow IImin7b5 for IImin7 for example Bmin7b5 for Bmin7.
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From Parallel Aeolian In the key of A major you can substitute or borrow bIIImaj7 for IIImin7 for example Cmaj7 for Cmin7.
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From Parallel Aeolian In the key of A major you can substitute or borrow IVmin7 for IVmaj7 for example Dmin7 for Dmaj7.
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From Parallel Aeolian In the key of A major you can substitute or borrow Vmin7 for V7 for example Emin7 for E7.
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From Parallel Aeolian In the key of A major you can substitute or borrow bVImaj7 for VImin7 for example Fmaj7 for Fmin7.
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From Parallel Aeolian In the key of A major you can substitute or borrow bVII7 for VIImin7b5 for example G7 for Gmin7b5.
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From Parallel Dorian In the key of Bb major you can substitute or borrow Imin7 for Imaj7 for example Bbmin7 for Bbmaj7.
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From Parallel Dorian In the key of Bb major you can substitute or borrow IV7 for IVmaj7 for example Eb7 for Ebmaj7.
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From Parallel Phrygian In the key of Bb major you can substitute or borrow bIImaj7 for IImin7 for example Cbmaj7 for Cmin7.
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From Parallel Phrygian In the key of Bb major you can substitute or borrow bVIImin7 for VIImin7b5 for example Abmin7 for Amin7b5.
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From Parallel Lydian In the key of Bb major you can substitute or borrow II7 for IImin7 for example C7 for Cmin7.
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From Parallel Mixolydian In the key of Bb major you can substitute or borrow Vmin7 for V7 for example Fmin7 for F7.
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From Parallel Mixolydian In the key of Bb major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Abmaj7 for Amin7b5.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow Imin7 for Imaj7 for example Bbmin7 for Bbmaj7.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow IImin7b5 for IImin7 for example Cmin7b5 for Cmin7.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow bIIImaj7 for IIImin7 for example Dbmaj7 for Dmin7.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow IVmin7 for IVmaj7 for example Ebmin7 for Ebmaj7.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow Vmin7 for V7 for example Fmin7 for F7.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow bVImaj7 for VImin7 for example Gbmaj7 for Gmin7.
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From Parallel Aeolian In the key of Bb major you can substitute or borrow bVII7 for VIImin7b5 for example Ab7 for Amin7b5.
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From Parallel Dorian In the key of B major you can substitute or borrow Imin7 for Imaj7 for example Bmin7 for Bmaj7.
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From Parallel Dorian In the key of B major you can substitute or borrow IV7 for IVmaj7 for example E7 for Emaj7.
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From Parallel Phrygian In the key of B major you can substitute or borrow bIImaj7 for IImin7 for example Cmaj7 for Cmin7.
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From Parallel Phrygian In the key of B major you can substitute or borrow bVIImin7 for VIImin7b5 for example Amin7 for Amin7b5.
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From Parallel Lydian In the key of B major you can substitute or borrow II7 for IImin7 for example C7 for Cmin7.
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From Parallel Mixolydian In the key of B major you can substitute or borrow Vmin7 for V7 for example Fmin7 for F7.
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From Parallel Mixolydian In the key of B major you can substitute or borrow bVIImaj7 for VIImin7b5 for example Amaj7 for Amin7b5.
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From Parallel Aeolian In the key of B major you can substitute or borrow Imin7 for Imaj7 for example Bmin7 for Bmaj7.
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From Parallel Aeolian In the key of B major you can substitute or borrow IImin7b5 for IImin7 for example Cmin7b5 for Cmin7.
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From Parallel Aeolian In the key of B major you can substitute or borrow bIIImaj7 for IIImin7 for example Dmaj7 for Dmin7.
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From Parallel Aeolian In the key of B major you can substitute or borrow IVmin7 for IVmaj7 for example Emin7 for Emaj7.
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From Parallel Aeolian In the key of B major you can substitute or borrow Vmin7 for V7 for example Fmin7 for F7.
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From Parallel Aeolian In the key of B major you can substitute or borrow bVImaj7 for VImin7 for example Gmaj7 for Gmin7.
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From Parallel Aeolian In the key of B major you can substitute or borrow bVII7 for VIImin7b5 for example A7 for Amin7b5.
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